It is independent of its author on the time when it was written or the historical context when or why it was written. Examples of female symbols could be ponds, flowers, cups, vases, hollows, etc. A sadder and a wiser man, He rose the morrow morn. Fareweel to barn and byre! Biographical criticism is anchored on this theory with the psychology of the author emerging as the subject for study.
Reader-response could be moral betterment, scientific or other learning, hedonistic pleasure, psychic, therapy, catharsis of unpleasant emotions, sublime transport, creation of the aesthetic emotion or detached contemplation.
Images whose length exceed their diameter are usually psychoanalytically interpreted as male or phallic symbols, such as, towers, mountain peaks, snakes, lances, swords, staffs, canes, tree trunks, etc.
In analyzing poetry, the following textual elements are examined in order to interpret meaning. For the depths, Of what use is language?
This theory rests on the belief that literature is an organic unity. Critical theorists interested in poetic content at the expense of form content dictates form assume correspondence theory of truth, whereas theorists stressing formal structure to govern meaning form dictates content assume a coherence theory.
How begot, how nourished? Clemens, Henry James, Emily Dickenson, etc. The Periods of the English Literature 1.
Sexual pleasure is symbolized psychoanalytically by images of flying and riding. Inquiry into the nature of poetry merges with inquiry into the nature of the poet. One Hundred Years of Solitude Author: Coherence theory versus correspondence theory.
I call, That piece a wonder, now: Men were deceivers ever, One foot in sea and one on shore, To one thing constant never. And I must needs wear it so long as I live, for none may hide his harm, but undone it may not be, for if it hath clung to thee once, it may never be severed.
O, Wind, If Winter comes, can Spring be far behind? The individual and the particular are more important than the general.
This is the band of the blame that I bear in my neck, this is the harm and the loss I have suffered, the cowardice and the covetousness in which I was caught, the token of my covenant in which I was taken.
The Colonial Heritage — 2. The critic holds that the poem generates its own unique form so that no external formal laws can be applied to it. It cannot be defined or judged on the basis of the presence 15 or the absence of any specific formal element or any specific content.
Theories of creative spontaneity and preferences for feelings over rationality followed this critical orientation. The relationship between author and work is the major critical issue-including the consideration of the creative process.
Which now behold these present days, Have eyes to wonder, but lack tongues to praise.
Concave images in literature are usually psychoanalytically interpreted as female or womb symbols. In the objective literary theory of textuality, the poem or any literary work is considered as an object with internal purpose.Famous Lines Worldlit; Such an impression may be one of sadness, surprise, sympathy, terror, or other reactions.
Economy, compression and emphasis characterize the short story.
Thus, it has a definite time and place setting. The development of the story occurs within a day or two or even Scent of Apples – Bienvenido Santos The. Scent of Apples – Bienvenido Santos when I See A Barong-BarongMaximo Ramos The Emperor’s New Underwear – Mynardo Macaraig Katapusang Hibik ng Pilipinas – Andres Bonifacio Its language is carefully chosen to convey ideas clearly and forcefully.
and his personal reactions and response to them. Ma. Ngayon at Bukas – Aurelio Tolentino La Romeria de la Muerte.
Yuson Manuel Bernabe Jose Rizal Scent of Apples – Bienvenido Santos The Dancers – Alberto S. when I See A Barong .Download