The movies definitely had their moments—I was, like I think no other movie has ever made me, actually on the floor of the theater writhing with laughter over the liver-transplant and vomiting scenes in The Meaning of Life—but they were also pretty poor—and in fact the soundtrack albums, which contained more of a linear narrative than jumbled TV skits, lacked the absurdist surprise I found whenever I played a TV-based LP for the th time.
I liked a lot of Against the American Grain. Red Rock West, though, nothing finer-and he might be the only director to ever get Nicolas Cage to underplay.
To submit your own question, email admin greilmarcus. I think it was published in the late s or early s. I was surprised and kind of disappointed to find out it was someone else. Any thoughts on it? Listening, I was instantly convinced. I guess my feeling is that influence might be something less conscious than imitation, but more conscious than inspiration.
Two writers addressing fundamental questions of sport and society without ever surrendering their love of the game, or surrendering to it. I found the sniggering, one-and-a-half entendre British music hall humor stale and cute.
After that, often the music—the constant hum of songs in Goodfellas and Casino especially—seemed there to disguise or distract you from the hollowness of the plot or the shallowness of the material. With his movies that have allure for me, I revel in watching them over and over: I could go on, but getting the little girl drunk should have been the prison term he served in the Curb movie.
I wonder if Ferry sued. The only difference if it were being made today would be that Elaine would have slept with the bride, too, but forgotten about it. It was fascinating to watch Larry David happily sink to levels of corruption and venality that seemed to bother absolutely no one, probably because they only pretended to be better.
Thanks to Chris Bourke for the link. Looking back, I think it was a revel in a bunch of people who in moments could seem like the smartest people ever born. Do you read him? MOJO published an article last August, and a forum discussion site added even more detail.
Somehow what seems brave and surprising and thrilling—did they really get away with that? What do you reach for today? Curb Your Enthusiasm—I still have no idea what that means or signifies—took off for me instantly.
It was painful to watch—the people who love him should have talked him out of appearing. Which of his movies not including documentaries hold up best for you, and how much does his use of music play into that?
I think he crystallized the best of himself in his performance in the John Dahl film and where did he go? But once on an airplane my wife was watching a Seinfeld episode and told me I should look at it.
Not exactly a profound insight, but people who should know better will never learn. But I found it caught the ugliness, the disgust, the cheapness of feeling of that whole day and its aftermath in a way that was very hard to take, and it should be hard to take.
Sam Cooke would have smiled. Do you remember what the fourth book was? I believe I was eleven when I bought and devoured it, immediately after having read the first autobiographies by Wilt Chamberlain and Howard Cosell.
I put him in touch with Mojo, and they went for it and did a marvelous job—they have such good art directors. Compare that to the polite applause Smokey received at the end of his talk. The singer on the demo? I always thought the small cult that grew up around him had more to do with his illness and early death than his music.Time to push back against the global warming Nazis February 20th, by Roy W.
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